More fauna and set dressing, this time in the shape of a couple of packs of ‚Wargames Foundry‘ deer.  These were purchased off the back of the wild boar post, ‚Bringing home the bacon‘,  where Paul of ‚Paul’s Bods‘ fame had suggested that Roe and Red deer were plentiful in the Austrian forests and by happenstance ‚Wargames Foundry‘ were running a sale; the rest, as they say, is history.

When they arrived I couldn’t have been more thrilled, beautifully cast and with very little work needed in preparation.  A modicum of research revealed that there were subtle differences in markings between the breeds, but a red brown sufficed as the base coat for both.  To be perfectly honest, I couldn’t see past Sir Edwin Landseer’s iconic painting of c.1851.  Just like the painting this stag boasts an impressive twelve point, or royal, set of antlers and it’s easy to see how the Victorian painting embodied all that is majestic and mysterious about the lands North of the boarder.  

Sadly, by the twentieth century the painting had become something of a cliché, the sort of image that might adorn a tin of all butter shortbread or a bottle of whisky, but it still holds a sense of mastery to me and so I am happy to champion it in miniature, even adding a clump of purple heather on the base; a little bit of Scotland in a far off corner of some foreign field.

One unexpected advantage of being holed up during the ongoing crisis is that all those ‚extension‘ tasks that were to be considered if we had time have now been completed; a case in point would be more livestock!  Stuck to lolly pop sticks, patiently awaiting their repatriation are creatures form a variety of sources including bunnies from ‚Bad Squiddo Games‘ and ‚Warbases‘, a couple of toads from ‚Master Crafted Miniatures‘, some pheasants, again from ‚Warbases‘ and a couple of fish, sadly not included in this photograph, from ‚Wargames Terrain Workshop‘.

I even managed to finish some wolves, yet again from the ever dependable ‚Warbases‘ and a nun.  Originally from ‚Conquest Games‘, the nun’s head was flattened and a crude crucifix fashioned from some plastic strip so as to create a passing semblance to Mother Abbess from the Sound of Music.  I have absolutely no idea if these will have any role to play in the game, although I quite liked the idea of Mother Abbess just randomly moving around the board, joining everyone in song,

Regardless of their ultimate use it is good to have finally ticked off these elements that have been cluttering up the painting desk for so long.  I have been beavering away on the plot points or markers for the game and will hopefully be in a position to share those shortly and then, fingers crossed, we may have the big reveal!